Nigerian rapper, Blaqbonez has slammed people who fond of imitating western terminologies unprovoked.
Taking to his Twitter account on Friday evening, the rapper whose real name is Emeka Akumefule stated that Nigerians should desist from using the terminology ‘summer’ as it does not depict the reality of the country.
According to the rapper, it is raining heavily in Nigeria; therefore, it is needless describing the weather condition or season as ‘summer’ because it is used in the western world.
Specifically, summer is traditionally associated with hot or warm weather.
In Mediterranean climates, it is also associated with dry weather, while in other places (particularly in Eastern Asia because of the monsoon) it is associated with rainy weather.
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Blaqbonez wrote this on his Twitter account;
N*ggas in lagos, Nigeria be saying it’s ‘summer’ we outside, yooo ITS RAINING EVERY DAY!! are you mad??? copying western culture without shame
They hyped about summer outside naij cos that really be the one time they can be outside proper proper, they see a lil sun they excited, bring out the bikinis, but we see sun almost all the time, wtf you on about a summer ting lagos.
niggas in lagos, Nigeria be saying it’s ‘summer’ we outside, yooo ITS RAINING EVERY DAY!! are you mad??? copying western culture without shame
— Emeka The Stallion 🐎 (@BlaqBonez) July 1, 2022
Hours afterward, Blaqbonez went on to recount his recent ordeal in Lagos state.
He wrote;
yesterday, i was inside flood, i wound down a little cos make car Ac no spoil, 2 secs person splash water for my face inside my GLE, and somebody dey tell me say na Summer be this
niggas in lagos, Nigeria be saying it’s ‘summer’ we outside, yooo ITS RAINING EVERY DAY!! are you mad??? copying western culture without shame
— Emeka The Stallion 🐎 (@BlaqBonez) July 1, 2022
Emeka Akumefule, known professionally as Blaqbonez, is a Nigerian rapper signed to 100 Crowns; which is an imprint of Chocolate City.
Blaqbonez is a famous Nigerian rapper known for blending Yoruba, Igbo and English in his rap. In 2019, he was profiled by The New York Times as one of the new guards of Nigerian music.
