Nobel laureate, Professor Wole Soyinka, has condemned the attacks on #EndBadGovernanceInNigeria protesters and journalists by security agencies.
In a statement on Sunday, Soyinka expressed concern over the Federal Government’s continuing mismanagement of protests.
The poet criticised the use of live bullets and tear gas by the Nigeria Police Force to manage civic protests, saying that such actions would lead to violence.
He said, “I set my alarm clock for this morning to ensure that I did not miss President Bola Tinubu’s impatiently awaited address to the nation on the current unrest across the nation.
“His outline of the government’s remedial action since inception, aimed at warding off just such an outbreak, will undoubtedly receive expert and sustained attention both for effectiveness and in content analysis. My primary concern, quite predictably, is the continuing deterioration of the state’s seizure of protest management, an area in which the presidential address fell conspicuously short.
“Such short-changing of civic deserving, regrettably, goes to arm the security forces in the exercise of impunity and condemns the nation to a seemingly unbreakable cycle of resentment and reprisals.
“Live bullets as a state response to civic protest – that becomes the core issue. Even tear gas remains questionable in most circumstances, certainly an abuse in situations of clearly peaceful protest. Hunger marches constitute a universal S.O.S., not peculiar to the Nigerian nation. They belong indeed in a class of their own, never mind the collateral claims emblazoned on posters.
“They serve as a summons to governance that a breaking point has been reached and, thus, a testing ground for governance awareness of public desperation. The tragic response to the ongoing hunger marches in parts of the nation, and for which notice was served, constitutes a retrogression that takes the nation even further back than the deadly culmination of the watershed ENDSARS protests.
“It evokes pre-independence – that is, colonial – acts of disdain, a passage that induced the late stage pioneer Hubert Ogunde’s folk opera BREAD AND BULLETS, earning that nationalist serial persecution and proscription by the colonial government.”
