Kunle Afolayan is unarguably one of the best film directors of our time currently in the industry.
The actor turned movie director has always best up with his epoch-making works including October 1st, Phone Swap, CEO and The Figurine, which won five major Africa Movie Academy Awards.
The movie producer covers Guardian Life magazine and he talks passionately about his love for culture, which is evident in most of his work, particularly October 1st
Guardian Life had a few words with Kunle Afolayan on his journey to fame. See excerpts below.
On how he got into directing: When I was going to start, I was actually going to start as a filmmaker, then I reached out to some people who worked with my father in the past and some of them just thought I was a joke. Filmmaking is something you have to learn. Yes, it is an acquired skill but you can’t say, “Oh I have talent of being a filmmaker.” You have to learn, and with the camera you have to learn how to operate all these gears. It is a lot of processes. Going to them I was barely 20. I went to Tunde Kelani, I went to a few people. They told me, for you to be a filmmaker you have to learn it. You go to school but you look like you have a good face for camera, why don’t you start as an actor just like your father? Then he said we are working on Sunday, you can come for audition and I was picked. We did the film Saworoide in ’98. The production values were really good, it made a hit, I played a prince. It was a very good film and it gave me a lot of mileage. I was already working in a bank when we shot that film. After that it was difficult for me to do a lot because of my bank work.
On his type of movies: A lot of people are doing the wedding parties and trips to Jamaica and they are very commercial. I don’t make films for commercial reasons; I don’t want people to see my films and just laugh, I want them to see my film and discuss it. It doesn’t make those other films anything bad, it is just their style, my style is different.
